Why graphic recording appeals to me

From time to time I catch myself flirting with the idea of giving graphic recording a go. It is fast, intense and it requires little, if any post editing. According to the article The Big picture (Breselor, S. (2015) ‘The Big Picture’. Communication Arts 56. pp. 24-27., also available from www.commarts.com/columns/the-big-picture) my tasks would be to “synthesize a constant stream of information in real time, select and sketch only what is most insightful and relevant, all while in front of an audience.“ As challenging as this might sound there is a liberating angle to it. I am left in complete control over every line I draw on a white board or paper and all discussions with clients and art directors are rendered obsolete. Any artistic ambition is surrendered to a literally bigger picture since graphic facilitation and recording is not about aesthetics but communicative power and purpose. Applied strategically it can “facilitate meetings and conversations or answer questions that are not manifestly pictorial in nature.” (p. 27)

In context of the MA programme I find the article very encouraging. It is a valuable reminder of the power of the visual mind and the ability to create meaning through images.

 

 

Breselor, S. (2015) ‘The Big Picture’. Communication Arts 56. pp. 24-27.

Online:

Communication Arts (2017) The Big Picture [Online] Available from: https://www.commarts.com/columns/the-big-picture [Accessed: 4 November 2017]